![]() ![]() ![]() With the 0.3 liner, I make the contours of the owl’s feet and outline the tree. I place new hatches in the gaps between the existing ones. I work on the feathering, using the 0.05 ink liner. ![]() Small dots and short hatches help me to accentuate the eyes without oversaturating the artwork. I mark the outer circles in the eyes, using the 0.05 liner. The lines go from the center of the bird’s face to its sides. I add the thin hatches, using the 0.05 ink liner. I continue to add the groups of short lines, using the 0.3 liner. With the 0.3 ink liner, I mark the dark sports of the feathering. 3. How to Draw an Owl With Ink Liners Step 1 As you can see, the more layers of lines I use, the more contrasting and intense my sample becomes. With the 0.3 liner, I apply horizontal hatches. You are not limited by the number of hatching layers! Step 4 With the 0.05 liner, I add the rounded cross-hatches. The lines of different widths combined in one drawing always look attractive. The lines can overlap the existing hatches, or they can be located in the gaps between them. I add a new layer of hatching with the 0.05 liner. ![]() Here is a sample of the inclined hatching, made with the 0.1 ink liner this will be our base. In this part of the tutorial, we’ll pay particular attention to the hatching techniques.Ĭreating layers of hatches is an excellent way to make an illusion of texture, increase the contrast and accentuate the three-dimensional look of the objects in the drawing. 2. How to Create Layers of Hatching With Ink Step 1 I add the groups of pencil hatches to mark the pattern of the owl’s feathering. They will make the composition more interesting. I draw the contours of the tree using varying, organic lines. I add the hooked claws and refine the shapes of the fingers. The feet have four fingers each, but the back fingers hide behind they help the bird to take up a stable position. I draw the smaller details of the beak and the ear tufts. I refine the feathery pattern on the owl’s face, also known as the facial disc. I draw the pupils and add the divergent lines of feathers above the eyes. I add the prominent shapes that resemble stylized ears (the ear tufts). It looks similar to a triangle with two rounded corners. The interval between the eyes is close to the width of one eye. The core line helps me to measure the equal distance. The eyes are located on a line that is slightly below the central point of the owl’s head. I draw the rough shapes of the head and body, using light pencil lines. Just keep in mind that there is nothing perfectly symmetrical in the natural world. It is useful to follow the principles of symmetry when you are drawing animals. Then I mark the side borders of the bird’s head and body. I draw a vertical core line that divides the future owl’s figure into halves it will be our reference point for the measurements.
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